Returning to the interior, Joan had duly admired the Cheyne monument, but had been unable to disguise her amusement before the tomb of Mrs. Colvile, whom the sculptor had represented as a somewhat impatient lady, refusing to await the day of resurrection, but pushing through her coffin and starting for Heaven in her grave-clothes. Pausing in front of the Dacre monument, Joan wondered if the actor of that name, who had committed suicide in Australia, and whose London address she remembered had been Dacre House just round the corner, was descended from the family; thinking that, if so, it would give an up-to-date touch to the article. She had fully decided now to write it. But Mary Stopperton could not inform her. They had ended up in the chapel of Sir Thomas More. He, too, had “given up things,” including his head. Though Mary Stopperton, siding with Father Morris, was convinced he had now got it back, and that with the remainder of his bones it rested in the tomb before them. “The great International Peace Congress at Paris,” explained Mrs. Denton; “just after the Crimean war. It made quite a stir at the time. The Emperor opened our proceedings in person, and the Pope and the Archbishop of Canterbury both sent us their blessing. We had a copy of the speeches presented to us on leaving, in every known language in Europe, bound in vellum. I’m hoping to find it. And the Press was enthusiastic. There were to be Acts of Parliament, Courts of Arbitration, International Laws, Diplomatic Treaties. A Sub-Committee was appointed to prepare a special set of prayers and a Palace of Peace was to be erected. There was only one thing we forgot, and that was the foundation.”!

“But perhaps you’ve changed your mind,” he said. “It isn’t quite as pretty as it’s painted.” “Shipping is my business,” he said. “I’m going to help sailor men. See that they have somewhere decent to go to, and don’t get robbed. And then there are the Lascars, poor devils. Nobody ever takes their part.”

“I always was a one for cheerful colours,” explained Mrs. Phillips. She whispered them at last. Not bravely, at all. Feebly, haltingly, with a little sob: her forehead pressed against the cold iron seat, as if that could help her. “Now, none of that,” he said severely. “It’s no good your thinking of me. I’m wedded to my art. We are talking about Mr. Halliday.”